One-to-One & Small-Group Training
Cinematographer Pieter de Vries ACS will teach you the skills that you need to shoot stunning video. If you want to learn the technical and creative essentials and prefer learning at your own pace, then One-to-One is for you - it's the ultimate shortcut to the skills you need at a time that suits you. Training for small groups can also be arranged. Based in Sydney, training can be organised in other centers READ MORE
Multi-Media Producers producing video for their company
What people say
Jacqueline BrophyBusiness Manager, News & Current Affairs
SBS Television, SYDNEY
Heath EddyMultimedia Manager
The Telecommunications Ombudsman
AWOL Productions, SYDNEY
Tony SteeperTeam Leader, Content and Channels
Icon Water, CANBERRA
Mystic Media, Katherine NT
Michael AbelevDesign & Engineering Manager
Miller Camera Support SYDNEY
Jarbo Productions CANBERRA
The Gunnery SINGAPORE
Scott CreswickManaging Director
Cinema Advertising Australia
I've competed my three week tour of Singapore to Mumbai. My cinematography talks have been well attended on board the beautiful Silversea Silver Shadow. This voyage covered Thailand, Malaysia, Sri Lanka and India. The Indian ports of Cochin a port city in southwest India's coastal Kerala state was a standout plus also seeing New Mangalore, Karnataka state, one of the busiest and largest port in India and Mormugao in the Indian state of Goa. Finishing up in Mumbai.
The IMAGO International Awards for Cinematography were held this week in the beautiful Jugoslovenska Kinoteka in Belgarde, Serbia. I had the pleasure of announcing and presenting the award for Best Cinematography in a Documentary to Brazilian Cinematographer, Adolpho Veloso for the documentary "On Yoga: The Architecture of Peace".
Topping off one of my busiest months ever, Melbourne based Freelance Documentary Producer/Director Rhian Skirving popped up to join me for some advanced cinematography training. Rhian is a collaborator with Australian composer/lyricist, musician, comedian, actor, writer and director Tim Minchin.
These past few weeks have been busy with training courses the HQ of The Australian Cinematographers Society (ACS) in North Sydney. Courses have been structured for clients using a variety of video cameras, from Sony FS7's, Canon C300's to the Apple iPhoneXS.
|The Buchanan Advertising Group Melbourne
Cruise Express, Sydney
Now wrapping up my cinematography lecture series on Regent's Seven Seas Mariner. This voyage was a circumnavigation of Australia - Sydney to Sydney, with a stop at Komodo Island then onto Bali to see in the New Year.
I looked out on a packed show theatre for all on my sessions and it was nice to be joined by so many guests interested in seeing and hearing about my work as a photographer and cinematographer. Soon it will be back to the ACS National Headquaters in North Sydney for a long run with training clients, all keen to explore aspects of the craft of cinematography.
This past week has seen filmmakers and videographers from around the country coming in for my One-to-One and small-group courses. In for three days this week for some advanced cinematography and lighting training, Adam Williamson, head videographer at Hoyne Design. Hoyne is one of Australia's top brand and marketing agencies. Henry and Bryn Williams, brothers who have a passion to tell stories.
There have also been quite a few travel bloggers attending my One-to-One training. I offer specialised camera and audio training in this area. Grace Hu was in for a few days last week. Sydney lawyer, Greg attended the weekend Still to Motion course.
So why not Upgrade your Skills, join me in the new year?
I've finished my photo/video/lecture tour - from Muscat Oman to Hong Kong on the stunning Silver Muse.
2017/18 Dec/Jan: Oceania, Nautica
2018 Feb/March: Silversea, Silver Shadow
2018 Oct: Silversea, Silver Muse
2019 February: Cunard Queen Elizabeth
2019 April: Silversea, Silver Shadow
2019 May/June: Oceania, Regatta
2019 Nov/Dec: Oceania, Nautica
2020 March/April: Silversea Silver Shadow
2020 April: Silversea Silver Whisper
2020 July/Aug: Regent Seven Seas, Navigator
2020 Nov/Dec: Regent Seven Seas, Mariner
2021 April: Regent Seven Seas, Mariner
Flying in for training this week, Matthew Cawood. Matt is the Communications Officer at the University of New England in Armidale. He has also worked for Australian Geographic Magazine as photo/journalist. Matt was in for the Stills to Motion training course.
Sydney Opera House. A perfect venue and perfect night for the SF3 SmartFone Flick Fest Gala Finals. I had the pleasure of announcing the winner and runner up in the Best Cinematography category.
Congratulations to cinematographer/director Rah Shama for his short film, "Restoration", shot on an iPhone X; to everyone up on that famous stage. Festival originators and pricipals Angela Blake and Alison Crew, you sure know how (and where) to put on a great show! Thank you to the other industry expert judges on the panel, including Jason van Genderen, Rebel Penfold-Russell, Alan Nurthen, and Christopher Stollery. Smart Phones pull in smart people!
I've been in Canberra running a video production course for the media team at Icon Water, the city's major water supplier. Our location training shoot at the old Cotter Dam Pump Station delivered some rewarding lighting opportunities. It's one of Canberra’s oldest buildings. Construction started in 1914 and was completed in 1918.
Location training shoots are an essential aspect of my training.
This week I'm working in remote Central Queensland at Saddler Springs, a 30,000 hectre cattle station owned by Amanda and Lloyd Hancock. Amanda is my training client and she flies the drone and does nicely with her Sony PMW-200, Sony A7 Mk3 and a Mavic Air drone. Our filming/camping location, Battleship Spur at 1,200 meters, is no place for sleepwalkers!
Amanda trained with me here in North Sydney during May, followed by six days location mentoring in Central Queensland and now she returns to my North Sydney venue to start training with the Sony A7 Mk3.
I've recently been training up SBS Television cadet journalist in the craft of video news camera work. I'm looking forward to seeing their completed feature "news story" produced by them as a part of my Video for Journalists course.
A number of recent visitors have enquired about what they see as a certain "depth" and "mood" in my regular "Good Morning" series of sunrise images. Do I use software filters? It's a question that often pops up. So that you can acheive this, I can break it down into three key practices:
1. Using Manual settings, adjust the exposure level for the brighter regions of the composed image - the brightest cloud for example. Close down the aperture or increase the shutter speed to bring detail and colour saturation into these often blown-out regions of the image. Allow other areas to appear under exposed - don't be afraid of the dark! These shadowy areas can be lifted later, and besides, that's how it is when the sun sits low in the sky. This is how I can convey "mood".
2. Seek out reflections and muted highlights and consider framing the scene from a low angle which additionally can bring depth-giving foreground objects into play. Wet sand and glistening rock surfaces offer subtle and not so subtle bright spots that are truely helpful. This is how I can convey "depth".
3. Importantly, if making adjustments in your editing software (that’s Adobe Lightroom for me), keep the overall brightness level down. Early morning light is different from mid-morning light. Under exposure of the image is far more effective at this time of the day. You won't need software filters.
Please see more of my Good Morning series here
I took this photo recently in a farmhouse not far from Saigon. I wanted to make the point of how a single window as a light source can works so beautifully for your cinematography and photography.
I loved the way the soft window light wrapped around these everyday things. Depth and the perceived sharpness of this image is defined by the shadows that light creates.
A single, ultra-soft light source set at some distance is a way to achieve a similar look. In lighting for the moving image too, you can learn more from looking at a shadow than you can by looking at the light.
A small window is best. Only a narrow shaft of soft light falls on the the table leaving the wall behind in beautiful deep shadow. Setting your exposure based on the lit areas of the composition means that these dark backgrounds and foregrounds stay as shadow, bringing the eye to the sweet spot in the image. Perfect for video sequences also.
I have been delivering a series of cinematography lectures on board Silversea Silver Shadow. Sailing from Singapore with port stops in Ho Chi Min City, Da Nang, Ha Long Bay and finishing in Hong Kong.
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